Lecturers, established composers, studio experts and several software manufacturers emphasized that education and training in this field is extremely important. Especially in the media, there is a great danger of overconfidence or overestimation of the equipments capabilities. Those who lack know-how can always seek professional help and refrain from wasting precious time through experimentation. This applies to the search for studio equipment as well as the creation of huge templates or setups.
"Virtual instruments ... have the disadvantage that they often do not sound authentic, which users try to conceal, for example, with the layers of multiple libraries, reverb excesses, depth staggering, etc. That they do not sound authentic is usually not because the quality of the samples is poor, but because of either a lack of programming by the composer or a lack of articulation, sound-bridging artefacts, dynamics inputs or bursts etc ... "
from the long list of possible errors.
For some products (studio software and sound samples) there is already good documentation and additional tutorials for special situations. For some manufacturers, you have to desperately search for this material. The pressure of the user is obviously not big enough yet. Anyone who gets stuck in documentaries, tutorials or forums, should turn to proven specialists (tutors) and also invest money: it will be worthwhile!